Larry O'Reilly Well, what you don't get obviously is the body language right? All the cues that are nonverbal, of which more than 50 percent of communication is nonverbal. Hari Sreenivasan: What does this do that I don't get from a Facetime or a Zoom? And that's what we call 'creating presence'. And I should be appearing life-sized and lifelike looking 3-D. My video, image and audio are being compressed and encrypted and sent to New York, where I'm being presented to you in 0.3 seconds or less. Larry O'Reilly : What's happening is I'm being captured on a 4K camera. Hari Sreenivasan: So what are we doing here? Hari Sreenivasan: Thanks for uh, virtually joining us. To find out more, I spoke with ARHT''s CEO Larry o'Reilly. In midtown Manhattan, I recently visited this coworking space run by WeWork, which has partnered with hologram company ARHT media to bring lifelike holograms to as many as 100 WeWork locations worldwide. I went and talked to the CEO of a company that has hologram studios that are setting up around the world. I remember the second time we went out, he told me, вЂњI wrote a song for you.вЂќ We sat down, he took out his guitar and then he started singing вЂњJennifer Juniper.Hari Sreenivasan: Remember Star Wars where there was a little Princess Leia hologram or the holodeck in Star Trek, that hologram technology is kind of here now. We just started talking and we ended up seeing each other a couple of times. There was this thing where we just couldnвЂ™t let go of each other, but it was so difficult to live together.ДЇox News: How did you end up becoming the inspiration for the 1968 song вЂњJennifer JuniperвЂќ?Д«oyd: I was working at this boutique and Donovan walked in - I had met him before. And I think we were bad for each other in that way because I believe he really wanted it to work, too. I kept hoping that it would work until finally, I realized that was it. ROD SERLING OF вЂTHE TWILIGHT ZONEвЂ™ WAS NOT вЂTHIS DARK, TORTURED SOULвЂ™ AFTER WORLD WAR II, SAYS HIS DAUGHTERДЄnd I kept hoping, obviously in a very naive way, that itвЂ™ll be better. (Photo by Ted West/Central Press/Getty Images) Jenny Boyd, sister-in-law of Beatle George Harrison, helps out at Apple, the Beatles clothes boutique in Baker Street, London, circa 1967. You could just tell that something special was going on.

Their harmonies seemed to be the thing that was so catchy and attractive. Their harmonies reminded me when The Beatles first came on the scene.

But you certainly felt that magic during rehearsal, like something was happening. At any point, did you ever think the album was going to completely change music?Д«oyd: No, I didnвЂ™t. There was definitely a sense that we understood each other right from the start.ДЇox News: You got to witness music history when Fleetwood MacвЂ™s 'Rumors' was being created. And of course, we came from similar backgrounds. You just felt that energy, that coolness.

But we could both sense this energy between us. We were both unbearably shy and horribly shy with each other. (Photo by WATFORD/Mirrorpix/Mirrorpix via Getty Images)Д®LVIS PRESLEYвЂ™S PRIVATE NURSE EXPLAINS WHY THE KING WAS 'MISERABLE' DURING HIS FINAL YEARS Jenny Boyd pictured with Mick Fleetwood at Heathrow.

Fleetwood mystery to me artwork